Customization

Preparing Print-Ready Artwork for Fabric Packaging

May 31, 2026·6 min read·by Baishun Pack Export Team
Preparing Print-Ready Artwork for Fabric Packaging

Artwork problems delay more orders than production problems do, and they are nearly always avoidable.

Send vector

Vector files (AI, EPS, PDF with outlines) scale without losing edge quality and are what screen, foil-die and embroidery preparation all need. A raster logo pulled from a website will produce a soft, ragged edge that no amount of care in production can recover.

If vector genuinely does not exist, say so early — it can be redrawn, but that is a step with its own approval, and discovering it at sampling stage costs a round.

Outline your type

Convert all text to outlines before sending. Otherwise the file depends on fonts the factory does not have, and the substitution is silent — the first you see of it is a sample in the wrong typeface.

Specify colour properly

Send Pantone references rather than RGB values. Screen colour is not printable colour, and "match this JPEG" produces a guess.

Also accept that fabric moves colour. The same Pantone screen-printed on white cotton, on natural linen and on a coloured fabric gives three different results, because the base tone shows through. If exact colour matters, approve it on the actual production fabric.

Design for the fabric you chose

Fine detail behaves differently on every surface. Smooth cotton and canvas hold detail well. Textured linen and jute break it up. Pile fabrics like velvet can swallow thin lines. Foil rewards solid shapes and punishes hairlines. Embroidery cannot do fine detail or small type at all.

The practical move is to pick fabric and decoration method first, then adapt the artwork to them — rather than finalising artwork and then finding out which methods it rules out.

State the print area, do not assume it

The usable print area is smaller than the panel. Seams, closures, gussets and the way the pouch is held during printing all constrain it. Ask for the usable dimensions for your specific construction and method before finalising the layout, so the design is not built around an area that does not exist.

Artwork checklist

Before sending: vector format, text outlined, Pantone references included, artwork sized to a stated print area, placement marked on a drawing of the pouch, and every element you are unwilling to compromise flagged explicitly. That last one matters — if you do not say which part is non-negotiable, the compromise will be made for you.

Common Questions

What artwork format do packaging factories need?

Vector — AI, EPS or PDF with all text converted to outlines — plus Pantone references for each colour and a drawing showing placement and size on the finished item. A logo pulled from a website is raster and will not hold a clean edge at print size.

Why does my logo look different on fabric than on screen?

Screen colour is light, printed colour is pigment on a coloured, textured substrate. The same reference reproduces differently on bleached cotton, natural linen and a dyed pile fabric, and the weave itself softens edges. This is why colour is approved on the actual production fabric rather than from a screen or a paper proof.

Can you work from a JPG or PNG logo?

It can be redrawn as vector, but that is an extra step requiring your approval, and any fine detail lost in the original raster cannot be recovered. Sending vector at the start removes both the delay and the risk of an approximation being produced.

Where to go next

Specification-Based Quoting

Send Your Specification

Share what goes inside, target quantity, artwork and destination. The team will confirm construction, sampling and timing for your project.

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